Music Selections for 2024 Fall Series
- Light Cavalry: Overture by Franz von Suppe
- ‘Dances with Wolves’ Medley by John Barry, arr. Rosenhaus
- A Tribute to the King (The Music of Elvis Presley) by Elvis Presley, arr. Ted Ricketts
- Notturno, Op. 112 by Carl Reinecke
- [Horn Solo – Matthew Kruse]
- The Chrysanthemum by Scott Joplin
- Sigurd Jorsalfar, Three Pieces, Op. 56: Mov. III Huldigungsmarcsh by Edvard Greig
Music Selections for 2024 Holiday Series
- A Festive Fanfare by Brian Balmages
- A Vaughan Williams Christmas by R. Vaughan Williams
- How the Grinch Stole Christmas arr. Jerry Brubaker
- Sleigh Ride by Leroy Anderson
- Sleepers Awake Johann Sebastian Bach, arr. Jerry Brubaker
- Waltz Finale from The Nutcracker, Op. 71 by P.I. Tchaikovsky
- German Carol Festival arr. J. Christensen
- Toccata on I Saw Three Ships by Charles E. Peery
- Festive Sounds of Hanukah arr. B Holcombe
- Charlie Brown Christmas arr. David Pugh
- Parade of the Wooden Soldiers by L. Jessel, arr. Ralph Ford
- Minor Alterations: Christmas Through the Looking Glass by David Lovrien
Music Selections for 2025 Winter Series
- Don Giovanni, Overture, K. 527 by W.A. Mozart
- The First Day of Spring by Leroy Anderson
- Highlights from ‘Jurassic Park’ by John Williams, arr. Calvin Custer
- Tritsch Tratsch Polka by J. Strauss
- Selections from ‘The Red Mill’ by Victor Herbert, arr. Otto Langley
- Magnificent Seven Elmer Bernstein, arr. Phillippe
- Guaracha by Morton Gould
- English Folk Song Suite by Ralph Vaughan Williams, arr. Gordon Jacob
Music Selections for 2025 Spring Series
- Procession of the Nobles by Nicolai Rimsky-Korsakov, arr. Merle Isaac
- The Pink Panther by Henry Mancini, arr. Calvin Custer
- Star Wars Through The Years by John Williams, arr. Stephen Bulla
- Dreaming Brian Balmages
- I’ve Got You Under My Skin by Cole Porter, arr. Mike Lewis
- The Sea Hawk (Suite for Orchestra) Erich Wolfgang Korngold, arr. Jerry Brubaker
- Kol Nidrei, Concerto for Cello and Orchestra, Op. 47 by Max Bruch
- [Cello Solo – Sam Sitzmann]
- Overture from ‘Athalia’, Op. 74 by F. Mendelssohn